Every week, Kristopher Pollard from Milwaukee Film and Radio Milwaukee’s Dori Zori talk about movies — because that’s what you do when you’re Cinebuds.
Director Wes Anderson has done something just about every person in his trade dreams to do: establish an instantly recognizable and virtually inimitable visual style.
He’s reached a point in his career at which a member of the moviegoing public could jump in halfway through a trailer with no prompts whatsoever and go, “Huh, Wes Anderson’s got a new film coming out.” On this episode of Cinebuds, we ask the question: Has he reached a point in his career at which that’s not necessarily a good thing?
Prompting that discussion is Anderson’s latest release, The Phoenician Scheme, which plays his greatest hits. Symmetrical shots? Yep. Scenes that could easily double as paintings? Sure. Flat, deadpan delivery? Bingo.
As our hosts discuss, that final quality might be starting to catch up with Anderson, at least in this one. The Phoenician Scheme sports the top-notch writing and story beats we’ve also come to expect from Anderson. Yet, despite a cast with the ability to match that high level of scripting, they don’t get a chance to create a character.
Perhaps you know the adage, “Show, don’t tell.” Based on our hosts’ experience, The Phoenician Scheme could’ve used a little more of that.
Ultimately, was that enough to sink the whole ship or just tip it slightly from side to side? You can find out by listening to the entire episode via the player at the top of the page or your podcast platform of choice.
