Every week, Kristopher Pollard from Milwaukee Film and Radio Milwaukee’s Dori Zori talk about movies — because that’s what you do when you’re Cinebuds.
The death of a public figure can hit pretty hard because we feel like we know those people. For many of us, the feeling runs deeper with the passing of an artist or creator whose work has embedded itself in our daily lives.
Milwaukee Film’s currently running “In Memoriam” series stirs up those emotions by honoring people from the film world who we lost in 2025 — instantly recognizable figures, like Diane Keaton, Robert Redford and Bob Uecker; as well as those who might be better known by true cinephiles, like Kramer vs. Kramer director Robert Benton and German character actor Udo Kier.
“As we reflect on the year in film, we take a moment to remember luminaries we lost in 2025 and to honor them through viewing films where their creativity is on display,” Milwaukee Film artistic director Cara Ogburn said in a release. “Think of this as an awards montage where you get a bit longer to reflect and honor those we’ve lost in the past year through revisiting or discovering exemplary work from their careers.”
In this episode of Cinebuds, Dori and Kpolly cover the series in depth and share the impact some of these famous names had on their journey to becoming the movie-loving people they are today.
'In Memoriam' film series
- Jan. 22 — 17 Again (Michelle Trachtenberg)
- Jan. 23 — The Harder They Come (Jimmy Cliff)
- Jan. 24 — Taste of Cherry (Homayoun Ershadi)
- Jan. 25 — The Adventures of Priscilla Queen of the Desert (Terence Stamp)
- Jan. 29 — The First Wives Club (Diane Keaton & Rob Reiner)
- Jan. 30 — Clearcut (Graham Greene)
- Feb. 3 — Kramer vs. Kramer (Robert Benton & Stanley Jaffe)
- Feb. 4 — Ordinary People (Robert Redford)
- Feb. 6 — Major League (Bob Uecker)
- Feb. 8 — Bacurau (Udo Kier)
- Feb. 10 — This Is Spinal Tap (Rob Reiner)
- Feb. 17 — Cool Hand Luke (Lalo Schifrin)
- Feb. 18 — The Elephant Man (David Lynch)
- Feb. 22 — Top Secret (Val Kilmer)
- Feb. 24 — Brazil: Director’s Cut (Tom Stoppard)
